Screenwriter for Qing Yu Nian: Funny not written to cater to the audience

Screenwriter for “Qing Yu Nian”: Funny not written to cater to the audience
“Qing Yu Nian”, an adaptation of Mao Yi’s novel of the same name, is currently being broadcast. In the original work, Fan Xian passed through the period from modern society to the background of the story. “Qing Yu Nian” added an original plot before the story began.In order to allow professors to recognize their thesis propositions, by writing novels, imagine themselves returning to ancient times, so that subsequent stories can be expanded.A few days ago, this newspaper interviewed Wang Lian, the screenwriter of this drama. Wang Lian admitted that he likes to write character dramas and likes to show the complex side of each character and the collision of emotions.The whole theme is essentially a collision of human nature.”I really like the original novel, and I hope to try to show the glorious side of humanity in the play.”Still life of” Qing Yu Nian “.The picture comes from the Internet theme Fan Xian just wants to become a “seed” Fan Xian wants to be a rich and idle person, but the situation forces him to do nothing.Fan Jian tried every means to give Ye Qingmei’s wealth, and Chen Pingping tried every means to give him a violent institution, hoping that after he left, Fan Xian could have enough power.Fan Xian knew that Emperor Qing had killed his mother, but he didn’t want to take revenge.In the play, “I hope that in this world, there will be no oppression, and everyone born in this world will have the right to live, the right to freedom, and the right to happiness.I hope that one day, all men will be born equal, no longer have the distinction of nobleness, guarding life, and pursuing the light. This is what I want, despite all the twists and turns, I am not afraid to move forward.”This is Ye Qingbrow’s attempt to pass the assessment in the ancient world.Hearing the “ideal society” proposed by his mother, Fan Xian’s first reaction was, “This is to change the entire era.What a grand vow, what a difficult dream.But I can’t inherit your dream and be the enemy of the world?I have no such courage, I just want to live alive.”Fan Xian has the idea of equality, yearning for freedom, but he is not deeply entangled, he does not challenge the rules, he is not obsessed with proving himself.In Wang Lian’s view, when Fan Xian merged into this world, the first reaction was that the rich is safe, and he did not become a rebel. He just lived a good life with his own replacement.”Fan Xian is a process of gradual awakening and changing his views. He is more like an ordinary person. He may not have resisted fiercely, but he is willing to make the world a little better and willing to pay.”According to Wang Lian’s introduction, Fan Xian changed in the middle and late stage of the play, and the death of certain characters could promote him to become a state more directly facing the feudal system.”Fan Xian and his mother had different perspectives on contemporary civilization.The mother is more of an idealist. Fan Xian’s perspective is a bit realistic, because he knows that idealism is a particularly difficult thing to achieve, not one person can change, and it takes a long time in feudal society.What he can expect to achieve is that he will become a seed afterwards, and he cannot see the change himself, but after decades and hundreds of years, he can see this tree grow and change the world, “Fan XianHe just wanted to become a seed, and his mother wanted to make herself a big tree. This is where their opinions differ.In Wang Lian’s view, what Fan Xian did was not resistance, but just wanted to show his own heart, the world in memory, and some of the views of modern society.”He lived in a feudal society with this view. Like a sunshine, he slowly diffused the light and infected more people.”Fan Xian will be forced to change afterwards.”The picture comes from the Zengxi comedy section on the Internet, but the core is still a tragedy. In the plot that has been broadcast, “Qing Yu Nian” released the comedy signal.The heavyness and grayness in the novel are diminished in the play. Some exaggerated characters and the use of some language have produced an embarrassing effect. In the way of confessing father by the way of confessing to the unknown man in black, Fei Jie,It was then called a “storm”; the first person met in Kyoto, Wang Qinian, was apparently on guard at the documentary of the Institute of Investigation, and he was also engaged in speculative business such as selling maps of Kyoto.There are too many people in the play to carry the comedy effect, the most popular of which is Fan Siming, the youngest son of the Fan family played by Guo Qilin, and the silly and vivid image of the silly son of the landlord ‘s family is vivid and lively.Xiang Qian can immediately turn into a mathematical genius when he discovers business opportunities.Wang Lian said that the adapted “Ying Yu Nian” is after all a TV series work. There can be many psychological activities in the novel, and there is always no way to talk to oneself on the screen. Wang Qinian is suitable for this role.Since I want to be with Fan Xian, I hope he can also shine.Especially in the story of Qingyu years, there are many smart people, superior people and ruthless people, all kinds of tricks, all kinds of fighting methods, natural and wonderful, and just add some fireworks.In addition to the comedy effect, setting the “feeling” of many characters around Fan Xian should also highlight the family’s appeal to Fan Xian.For example, the episodes from the emperor and the princess in the first few episodes can be compared to the joy of the Fan Xian family. “I just want to feel this way. Why is Fan Xian such a person?Why did he choose to protect this family?It is because of the warmth of the family.If his family is the same as that of the (prince) over there, he may not follow this path.”One of the favorite characters of the audience.Pictures from the network dynamics, “machine cat”, “cultural industry”, “women in bubble literature”, “intelligence basin” and other newly added modern vocabulary, all bring intuitive comedy effects to the episode.In the past, some modern vocabulary will also appear in some costume dramas. If used poorly, it will cause embarrassment, embarrassment, and rigidity.Regarding the necessity of the application of these words in the script, Wang Lian said that because Fan Xian was a young man with modern thought, he did not agree with the rules of feudal society, he did not succumb and struggled, so he always maintained modern thought and scriptAt the beginning of the middle school, he kept talking about modern lines, and also telling the audience that I had not changed. “In such a situation, these lines have achieved comedy effects, but they are more like his silent struggle, because he is not willing to assimilate to this.In the world.In the worldview of the original novel, “Qing Yu Nian” is about the resurgence of a new generation of civilization after the end of civilization.Despite this setting, the tone of the whole story is very heavy. Wang Li said that he hopes that the audience can cause the theme of this drama to be conveyed in a relaxed environment, rather than entering a story with a very depressing atmosphere.”Although it has many so-called comedy bridges, the essence of this story is tragedy.The world’s injustice to class and the oppression of human nature are hidden in those laughter.”I hope that the audience loves the male lead, rather than think that he is so smart. The biggest adaptation of the hero” Fan Xian “in the play can be regarded as the removal of his” dark side. “In the original book, Fan Xian comes with a decisive character of killing and cutting. He is a bit indifferent to human life, and everything is based on self-interest. From a certain perspective, this is also the foundation of his success.In the original novel, Fan Xian was extremely fierce when he calculated Fei Jie at the age of four. At that time, he planned to solve Fei Jie, and his robe asked Wu Zhu to help clean up the mess.In the TV series, Fan Xian fainted Fei Jie for self-protection, and mistakenly thought that he had killed Fei Jie by mistake, and hurriedly asked Wu Zhu to help clean up the mess.The positioning of the two is completely different.Fan Xian in the original book was not stupid and sweet from the beginning. He is a guy who knows a lot of methods and is extremely good at acting.Chen Pingping said he was fierce and he was a gentle little man in his heart.If compared with the original book, Fan Xian of the TV series is too simple.In the TV series, in addition to focusing on embodying Fan Xian’s intelligent all-round talent, Wang Li tried to make him kinder and more cute, “The dark side has been reduced because the main story is heavy, so I hope Fan Xian, Help viewers realize the warmth of human nature, and make the protagonist more lovely.I also hope that the audience regards him as a particularly close and lovely friend who lives nearby. If the audience and the characters can have an emotional connection, this is the best recent way.I hope that the audience can love the male host from their own hearts, rather than think he is so powerful and smart.”In Qing Yu Nian, Fan Xian is an illegitimate child, but he has a” Jack Su “halo that is comparable to the pride of heaven.Mother Ye Qingmei won the loyalty or admiration of Qing Di, Chen Pingping, Jing Wang Li Zhi, Wu Zhu and others.They loved the house and Wuwu, and gave Fan Xian the attention that ordinary people couldn’t get.As a result, Fan Xian was a master of his mastery when he was young, and Wu Zhu, the peer master of the four great masters, served as his bodyguard. Fei Jie, the world’s most poisoned person, was enlightened by this master.When Emperor Chaotianzi Qingdi was born his father.But in Wang Lian ‘s opinion, Fan Xian is not a Jack Su character, he is always fighting, “He is a rebel, in essence he is not the protagonist of Jack Su, he is a tragic subject, constantly struggling andResistance.”Fan Xian was born with a golden spoon in his background. Instead, it is the root of his tragedy. Whether it is a father or a teacher, it seems that everyone is supporting him, but he really wants to pursue and rebel. In the end, these peopleBe his power.Fan Xian is a young man with a modern human soul. He wants to smash the hierarchy in the feudal dynasty.Wang Lian said that if placed in the contemporary era, Fan Xian would not be so intense.”Contemporary society is fair and there is not so much human suppression.If Fan Xian lives in modern times, he will be a very happy person, he is kind and kind, and such a person is very suitable for being a friend.If he lives in modern times, he will be much happier.”The emotions of the heroes and heroines are best evenly matched against the heroine Lin Wan’er in the original book. He grew up in the palace. He knows the tricks of power but does not use them. He is kind but not stupid.She has been well protected by Fan Xian for her life, but she can be a master of attack when she is required to protect her family.It is perfect in every aspect, and does not grab the limelight at all. It is willing to be a little woman behind the man he likes. Generally speaking, it is the ideal love object in the mind of straight men.But in the play, she has become an independent femininity. “If you want to marry me, you can’t rely on the sacred purpose. You can’t borrow the royal wealth from me. The person I want to marry has only one condition that I want to like in my heart.” Lin Waner hasSuch a dialogue.In the same point, Fan Xian also expressed to his sister Fan Ruoruo, “Life is alive, Baiju has a gap, if he chooses something he doesn’t like, he will live in his life.As long as you like, even the king of the king, brother will pull you back.The “independent temperament” of the female character pioneer in “Qing Yu Nian” is also one of the reasons why the play is praised. As a “big male lead” episode, the heroine’s halo has not been taken away by the male lead.In the play, Lin Wan’er, who knows he can’t control his marriage, still tries to find the target of marriage, and tries to solve the problem by means of communication. It is not a female image willing to be dominated by random.In Wang Lian’s view, although “Qing Yu Nian” is the main male lead, it can’t shrink the heroine because of the main male lead.Lin Wan’er’s role is weak and sick. Under such circumstances, Wang Lian hopes that her heart will be stronger, which will make the audience look forward to this feeling.”The emotions of the male and female masters are best evenly matched, and the female masters of the ideological level reached by the male masters should also be there.Only when both parties are strong, have their own ideas, and do what they are willing to do, when they are together, can they feel that they are supporting each other and moving forward.Instead of going forward, the heroine just hung a small bell and small objects beside him.”Answers will not specifically please viewers. Sauna Nightnet: The adaptation of” Qing Yu Nian “has been unanimously approved. What are the main principles of consistency in the adaptation of the script?Wang Lian: This dramatic change only adheres to one point of view and follows the main line of the original book. The main line is basically not implanted.For example, if I want to enrich a character, or a slight adjustment of the character, it will cause some substitutions that are different from the original. After doing these expansions, I will return to the main line of the original.Another point, when you see the plot behind, the audience will find that the main stages of the original story are gone, but please rest assured that I did not delete it, I just moved it to the place, it may be moved to the back and concentrated together,For example, push the climax of a plot.It’s like building a building block. I moved the ground, but I didn’t cut it. The basic main line is there. I just made an adjustment, some kind of adaptation of Teng Zijing that is now performing.(Note: The original book Teng Zijing appeared as a slave to the male master Fan Xian, and the person who assassinated Fan Xian in Danzhou at that time died. It was the key turning point for the first time as a male master, but the play becameThe identity of the male helper, the killer becomes a friend and loyal guardian of the male host.) Teng Zijing’s death pushed Fan Xian to change.The picture comes from the online sauna night network: mentioning the costume drama of the emperor, the faction in the palace, various battles are also inevitable.There is also a palace part in “Qing Yu Nian”, how to distinguish it from the previous series?Wang Lian: Doing this theme cannot avoid court battles, but our theme is different.The previous court battles often involved the protagonist choosing a side, essentially merging the battle and becoming one of them.After all, the nature of those battles is dark.But Fan Xian is different. He has been insisting on modern thinking and has not changed.All his battles are against the entire rule, not integrated into someone’s faction to participate in the struggle.From a certain perspective, it is a bit like Don Quixote’s story. A person confronts a world and uses the glory of humanity to accuse the dark world.Sauna Night Net: Some modern vocabulary usages in the play, including the adaptation of the characters’ comedy style, are there any special considerations for the young audience in the adaptation?Wang Lian: I did not deliberately play a part of the audience, I hope that audiences of all ages can accept it.So when doing dramas, I tend to be more aesthetic.I want to make a good story, good characters, interesting plot, and then hide a little meaning, hoping to touch the heart of the audience.You can’t make a play to please the audience.Nor is it because the audience at this age likes this style, so I follow their direction.This is not the case with my creative ideas and methods.Sauna, Ye Wang editor Liu Na proofreading Zhao Lin