Zhang Huoding’s rehearsal of Farewell My Concubine in Beijing on January 17

Zhang Huoding’s rehearsal of “Farewell My Concubine” in Beijing on January 17
In 2019, Zhang Huoding’s 10-year-old Peking Opera “Farewell My Concubine” was staged in Beijing and Shanghai in May and October respectively, causing huge repercussions.At the same time, “one ticket is hard to find” also left many viewers who did not grab the ticket regretful.In order to meet the needs of the audience, on January 17, 2020, Zhang Huoding and the original cast of “Farewell My Concubine” will be staged again in Beijing Changan Theater.The show will be officially invoiced on January 5th, with a limit of one per person.As a classic of the Mei School, actor Zhang Huoding’s rehearsal in “Farewell My Concubine” was a sensation in the Beijing opera industry in 2019.There is no doubt that Peking Opera “Farewell My Concubine” is one of Mei Lanfang’s masterpieces, adapted from the Kunqu Opera “Qin Jin Ji”.Before the performance of Mei Lanfang, Shang Xiaoyun and Yang Xiaolou co-starred in this play, also known as “Chuan Han Zheng”. Later, it was adapted by Mei Lanfang to become a classic that will not endure on the stage of Peking Opera.In recent years, Zhang Huoding, who has spoken in front of the media, said before the premiere that Mei Pai’s “Farewell My Concubine” was a famous drama that she had loved since she was a child. During the 1980s, she wanted to learnThis drama, but there was no chance, until after joining the comrades-in-arms Beijing Opera Troupe formally learned Chengpai art, it can be said to be insulated from this drama.She feels that she has always loved the character Yu Ji very much from her heart, and performing this role is also her dream for many years.From the initial prediction to the presentation of the show, Zhang Huoding spent a whole decade.Jian Wu is the most classic performance period in Farewell My Concubine.Zhang Huoding uniquely used the mandarin duck with a sword robe to add aesthetic color to the whole drama, but also increased the technical difficulty of the performance.This less than ten-minute sword dance took more than a year from the thought of “landing”.Sauna, night net editor Liu Zhen Xu Meilin proofreading Wang Xin